急!求英文电影《放牛班的春天》和《弱点》里的经典台.
编辑： admin 2017-23-02
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《放牛班的春天》经典台词中英文版 "Les choristes" classic lines in the English version Matthew: what are you doing? 马修：你在干什么? Send pinault: I'm waiting for Saturday. My father will come here to pick me up. 派皮诺：我正在等着星期六.我的父亲会来这里接我. Matthew: but today is Saturday. 马修：但是今天不是星期六. (pie pinault's persistent waiting for you is reasonable, Matthew was fired that day, it was a Saturday. Matthew left, in addition to the beautiful memories, and went away with pettitte pinault.) （派皮诺的执着等待是有道理的,马修被解雇那天,正是一个星期六.马修离开 的时候,除了美好的回忆,还带走了小派皮诺……） Chabert: foul, penalty. "Action (i.e., the film - response") 夏伯特：犯规,处罚.（即影片中的“行动——反应”） Clement mathieu: you see evil everywhere. 马修：你看见罪恶无处不在. Chabert: here? B: yes. 夏伯特：这里?是的. Chabert is dragging Meng Dan will punish him) （夏伯特正拖着孟丹即将惩罚他） Matthew: what did he do? 马修：他做了什么? Chabert: he wanted to steal my table in my room. I'm so surprised! Don't need to solicit opinions hasson, "action - response" (also mentioned above is foul, penalty) 夏伯特：他想在我房间里偷我的表.我太吃惊了!不需要征求哈森意见,“行动—— 反应”（也就是上面所 提到的犯规,处罚） Matthew: do you want to take him to go to? 马修：你要把他带到哪里去? Chabert: solitary! He closed for 15 days! 夏伯特：禁闭室!把他关上15 天! Matthew: wait! 马修：等等! Chabert: wait what! (chabert and Meng Dan disappeared in the teaching building) 夏伯特：等什么!（夏伯特和孟丹消失在教学楼里） Clement mathieu: he's my only baritone. 马修：他是我唯一的男中音. （考试时）(test) Send pinault: are we friends? 派皮诺：我们是朋友吗? Le and: yeah! 勒克和：是啊! Send pinault: that you told me that 5 + 3 equal? 派皮诺：那你告诉我,5+3 等于多少? And, should be 53. 勒克和：应该是53. Send pinault: are you sure? 派皮诺：你确定? Le and: sure! 勒克和：确定! Send pinault: fine, thank you 派皮诺：好,谢谢 (several children stole Matthew music studies in the toilet.) （几个小孩偷了马修的乐谱在厕所研究……） Section b: it's not pornographic pictures. 科 宾：这又不是色情照片. Le Claire: I didn't say. 勒克莱克：我又没说是. Skin el: what is it? 皮 埃 尔：那里面是什么? Section b: ave maria, tenor, claremont, Matthew. 科 宾：圣母颂,男高音,克莱蒙特·马修 作. Le Claire: this is a quintet chords, claremont, Matthew. 勒克莱克：这是五重奏和弦,克莱蒙特·马修 作. Section b: this is the music. 科 宾：这是乐谱. Le Claire: how do you know? 勒克莱克：你怎么知道? El: skin is Morse code? 皮 埃 尔：是摩斯码吗? Section b: maybe the password? 科 宾：也许是密码? Le Claire: maybe he is a spy. 勒克莱克：也许他是个间谍. Section b: right! Proctor could be spy! 科 宾：对!可能是间谍学监! Examination, the headmaster to ask: "marshal nye is how dead?" 考试时,校长提问：“奈元帅是怎么死的?” Matthew stood behind the principal, made the action of aimed their guns for pinault. 马修在校长背后站着,做出举枪瞄准的动作帮佩皮诺. Palin pinault smiled, confidently replied: "when hunting!" 佩皮诺笑了一下,很有信心地答道：“打猎的时候!” Exam was over, the headmaster called boni firth: "you should know that nai marshal was shot." 考试结束,校长叫博尼费斯：“你应该知道奈元帅是被枪决的.” Boni firth: "yeah, just like napoleon." 博尼费斯：“对啊,就跟拿破仑一样.” Principal: (disappointed) "good! Go out!" 校长（失望）：“好了!都出去!”
Courage is a hard thing to figure
理解勇气是件很难的事
You can have courage based on a dumb idea or mistake
你可以因为笨主意或错误产生勇气
but you're not supposed to question adults
但你不应该去质疑长辈
or your coach or your teacher
不该质疑你的教练或者你的老师
because they make the rules
因为他们定下了规矩
maybe they know best
他们也许是最懂的人
but maybe they don't
但也许不是
it all depends on who you are, where you come from
这都取决于你是谁你从哪来
didn't at least one of the six hundred guys think about giving up
难道不会有最少1/600的人考虑过放弃
and joining with the other side?
而转投另外一边吗
i mean,valley of death that's pretty salty stuff
我是说,死亡之谷是个悲剧
that's why courage it's tricky
所以勇气是很微妙的
should you always do what others tell you to do?
你应该总是对别人言听计从吗
sometimes you might not even know why you're doing something
有时你可能甚至不知道你为什么这么做
i mean any fool can have courage
任何蠢人都可能有勇气
but honor,that's the real reason you either do something or you don't
但荣耀才是你有所为,有所不为的真正动因
it's who you are and maybe who you want to be
那才是真正的你,才是你想成为的你
if you die trying for something important
若为重要的事情努力而失去生命
then you have both honor and courage
那么你就拥有荣耀和勇气
that's pretty good
这非常好
you should hope for courage and try for honor
你应该希望拥有勇气,努力得到荣耀
maybe even pray that the people telling you what to do have some, too
也许甚至恳求别人教你怎么来去做这些
类似问题
类似问题1：急求法语歌les choristes（电影《放牛班的春天》中的片尾曲）歌词及翻译
“les choristes”
歌词：
Vois sur ton chemin
暸望你人生未来的道路
Gamins oubliés égarés
被遗忘和迷失的孩子们
Donne leur la main
请对他们伸出你的援手
Pour les menés vers d'autre lendemain
引领他们走向美好的未来
Sent au coeur de la nuit
感受著午夜的激情
L'onde d'espoir
希望的波动
Ardeur de la vie
生命的热力
Sentier de gloire
感受著旅途的荣耀
Bonheurs enfantins
孩提的幸福时光
trop vite oublié effacé s
太快遗忘和抹灭
Une lumière dorée brille sans fin
万丈光芒闪耀
Tout au bout du chemin
在道路的尽头
Sent au coeur de la nuit
感受著午夜的激情
L'onde d'espoir
希望的波动
Ardeur de la vie
生命的热力
Sentier de gloire
感受著旅途的荣耀
“la nuit”
歌词：
O^ nuit viens apporter à la terre 哦 黑夜刚刚降临大地
Les calmes enchantements de ton mystère 你那神奇隐秘的宁静的魔力
L'ombre qui t'escorte est si douce 簇拥着的影子多么温柔甜蜜
Si doux est le concert de tes doigts chantant l'espérance 多么温柔是你歌颂希望的音乐寄语
Si grand est ton pouvoir transformant tout en rêve heureux 多么伟大是你把一切化作欢梦的神力
(solo)O^ nuit,O^ laisses encore à la terre 哦,黑夜仍然笼罩大地
Les calmes enchantements de ton mystère 你那神奇隐秘的宁静的魔力
L'ombre qui t'escorte est si douce 簇拥着的影子多么温柔甜蜜
Est-il une beauté aussi belle que le rêve 难道它不比梦想更加美丽
Est-il de vérité plus douce que l'espérance 难道它不比期望更值得希冀
类似问题2：放牛班的春天英文观后感我要交功课了.好的,[英语科目]
1
“”
“The Chorus” is a movie you have seen many times before. Cute, well-acted and utterly predictable, Christophe Barratier's feature debut delivers just what the advertising promises: a musician who has given up on fame takes a job as supervisor at a school for hard cases, and when he teaches the boys how to sing, they mellow out and begin to love him dearly.
Fond d'Etang, the name of the school run with iron fist by the stern Rachin (Francois Berleand), translates as "Rock Bottom,” but round-faced Clement (Gerard Jugnot) holds on to his good cheer. His cuddly exterior betrays a warm intelligence--apparently he knows that he is in the kind of movie where a little art will certainly tame the teenage beasts, and so he sorts the boys by their voices and starts a choir.
All the necessary types are present in the classroom: the cute small kid, the brazen thieves and hormone-addled thugs, and of course the surprisingly talented teacher's pet (Jean-Baptiste Maunier), from whose adult perspective the story is told. In the opening scene, we learn that he ends up in New York City as one of the "greatest conductors in the world"--just to make sure that everybody knows right away that this story has a happy end.
Forgive me if I sound cynical. "The Chorus" is told with skill and charm, and if you like to hear golden teenage sopranos, you will love the music. If you're in the mood to be uplifted in all the usual heartwarming ways--"Mr. Holland's Opus," "Dead Poets' Society," "Billy Elliot" and scores of similar films come to mind--"The Chorus" will not disappoint you. Disappointing, however, is that Barratier didn't pick a fresher subject for his first film, disappointing, also, that out of all the unique and innovative films that came out of France last year, this formulaic and obvious movie was picked to represent the country at the Academy Awards.
2
Delightful, uplifting, beautifully acted film that fully deserved its Oscar nominations for both Best Foreign Film and Best Original Song.
The Background
Christophe Barratier’s The Chorus (Les Choristes) was an unexpectedly huge hit in France, to the point where it has reportedly reawakened a national interest in boys’ choirs. It’s doubtful that its influence on British audiences will be quite so profound, but it’s a hugely enjoyable film that plays like Le Societe de les Poets Morts meets L’Opus de Monsieur Holland.
The film was deservedly nominated for two Oscars (for Best Foreign Film and Best Original Song) and although it lost out on both awards, it did at least provide le grande spectacle of Beyoncé Knowles singing the main song at the Oscars, in French. Ooh, and indeed, la la.
The Story
Based on an obscure 1945 French film, La Cage Aux Rossignols (A Cage of Nightingales), The Chorus is predominantly set in 1949. However, the film begins in the present day when a famous conductor, Pierre (Jacques Perrin) is visited by an old schoolmate, Pepinot (Didier Flamand) and together they relive the arrival at their reform school of new teacher Clement Mathieu (Gérard Jugnot).
The young Pierre (Jean-Baptiste Maunier) is always in trouble, not least from the stern headmaster, Monsieur Rachin (Francois Berléand) and Mathieu takes him under his wing, particularly when he starts a choir for the boys and discovers that Pierre has a heavenly singing voice.
The Acting
Jugnot shines as Mathieu, despite (or perhaps because of) his occasional resemblance to Mikhail Gorbachev. His scenes with the children (particularly the young Pierre and Pepinot) are extremely moving, as is his unrequited crush on Pierre’s attractive mother (Marie Bunel). The scene where he learns that she is in love with someone else is heart-breaking.
There is also excellent support from the rest of the cast, from Berléand’s performance as the sadistic head to Gregory Gatignol as the school thug and Jean-Paul Bonnire as the kindly old school caretaker.
However, the stand-out performance belongs to Jean-Baptiste Maunier, who really does have -as the script says- the face and voice of an angel. Maunier was allegedly plucked from a choir group having never acted before and has now become something of a sensation in France.
The Formula
The Chorus conforms neatly to the Dead Poets Society template, even down to the O Capitain, mon Capitain scene. This is no bad thing, however. The film is extremely well made and enhanced by an intelligent, witty script. Beautifully filmed by Carlo Varini with realistically austere sets, it benefits greatly from its use of original music, written for the film by Barratier and composer Bruno Coulais.
In short, if you’re looking for a feel-good arthouse flick then The Chorus is the perfect film to while away the winter blues. Highly recommended.
3
Teaching below the college level is difficult, particularly in inner cities where there's no particular respect for learning in so many families. Shakespeare is part of the curriculum in many schools, though one wonders how effective such learning is at age 16 when maybe one out of every hundred in the adult population would go to a Shakespearean performance even if the tickets were free. If a teacher is hapless enough to get a classroom of orphans and delinquents, teaching is even more difficult. Add to this a European post-war time when orphanages would be full-up and society is still chaotic, and you have a recipe for disaster unless, perhaps, you taught a subject like soccer. That's still not all. Imagine that the teacher is assigned to a class of tough and lonely kids who are not even the same age–that varies from 8 to 13–and the guy with the chalk is not some young, handsome, athletic type that the kids might identify with but an aging, bald fellow, why, you'd say there's no hope at all. Oops, one more thing. The principal of the school, Rachin (Francois Berleand) is not at all sympathetic to the new teacher and orders that he call the school director "sir."
In Christophe Barratier's picture "Les Choristes" ("The Chorus"), this is exactly what happens. In 1949 Clement Mathieu (Gerard Jugnot) is assigned to a class in a Dickensian excuse for a school (actually filmed at Chateau Ravel, a medieval stone castle in the rustic province of Puy-de-Dome). He gives the Mr. Chips impression but he's not a bumbler, even if he falls on his face during his first entrance to the class. He is himself a failed and lonely musician, which adds depth to the story, particularly when he's counting on a fling with a mother of one of the students. Tossing out the French textbook, he believes that these kids can be reached not so much intellectually, but emotionally, through the universal language of music, particularly when the students themselves are actively participating. He forms these kids of diverse ages with voices from soprano to bass into a chorus, which the principal at first thinks ridiculous and never completely does a turnaround, but through the magic of music and by catering to individual talents such as that of a gifted singer, Pierre Morhange (Jean-Baptiste Maurier), he shapes up young people, accustomed to be punished by hitting and being locked up in the school dungeon, without violence.
"Les Choristes" is a feel-good picture but to its credit evokes only a pinch of gooey sentimentality. As a former teacher, I cannot quite believe that he could be so successful with this population of castaways and, indeed, director Barratier does not let us sit in the the dynamics from A to Z–particularly how he is able to get four-part harmony from the class. Seeing the result, we simply have to take for granted that the teacher does an A-1 not only with the kids but with himself: the failed musician is invigorated by the unfolding experience and takes to composing music once again–this time for the kids. The film is framed by a scene from the present day as one of Mathieu's former students visits the gentleman who was the gifted singer fifty-five years earlier, now a conductor of classical music famed throughout Europe. All this goes to show that if you can't become a success yourself in your chosen field–musicianship in this case–you can indeed flourish as one who inspires others to fame. "Les Choristes" is a charming paean to a most underappreciated and underpaid profession
4
Audiences love films about underdogs that overcome. One of the most beloved sub-genres in film history involves a seemingly controversial or unorthodox schoolteacher sparking the inspiration of students to rise above and achieve greatness. It's a familiar story that translates to nearly any era, setting, and subject. We've seen the effect of literature on a group of boys at a New England prep school in Dead Poets Society. Inner-city teens found confidence through calculus in Stand and Deliver. And then there's the transforming power of music, as shown in movies like Mr. Holland's Opus and Music of the Heart.
The French film Les Choristes (The Chorus) follows in this tradition and last year met with incredible success in its homeland, outperforming Harry Potter and other big budget film imports. Pretty impressive for the first feature film by director and composer Christophe Barratier, who adapted the screenplay from a little known 1945 film called The Cage of the Nightingales. The new movie's soundtrack features choral music by leading French composer Bruno Coulais and also became a surprise hit, contributing to an unexpected resurgence in classical youth choirs in France.
Clement Mathieu (Gerard Jugnot) brings light and life to a dark placeLes Choristes is set in post-World War II France, a time of social restructuring and economic recovery from German occupation. Not many movies have adequately dealt with what the French faced in the aftermath. Considering how many children were orphaned as a result, it's not surprising that the government instated correctional houses designed to discipline with military strictness—"Spare the rod, spoil the children."
Gerard Jugnot, as Clement Mathieu, directs the boys choirOne such school is L'Fond de L'Etang, which literally means "Rock Bottom," an old French castle that looks very much like a prison. When mild-mannered Clement Mathieu (popular French actor Gerard Jugnot) arrives to take a position as the new assistant teacher, he is immediately plunged into an educational system nightmare. His colleagues humorously introduce themselves by giving the names of the worst troublemakers. Headmaster Rachin (Francois Berleand) has the cold, hard demeanor of a warden, delivering swift punishment to anyone caught inciting trouble. And the boys behave as if discipline were an alien concept, pouring their efforts into driving the new teacher away for the next one in line to arrive.
However, Mathieu is not like other teachers (after all, who else would want this job?) and he sees great potential in the students. All they know is Rachin's disciplinary motto, "Action, reaction." But instead of resorting to similar violence, Mathieu demonstrates patience and love, using their taunts to teach. When he finds that the boys have some ability for singing through their schoolyard chants, he reawakens his abandoned passion for music and decides to begin a choir to promote unity and harmony.
Jean-Baptiste Maunier, as Morhange, has an angelic voiceLes Choristes is a film of great beauty and sweet intentions, offering a strong theme of grace vs. punishment—compassion of the heart in contrast to the hard discipline of the law. How one seemingly small act can transform so many lives, treating the kids like people instead of criminals. The film starts off well enough, appropriately building tension between Mathieu and both the children and the headmaster. Jugnot gives his role the necessary sweetness and believability, easily allowing the audience to want to see Mathieu succeed with his good intentions and gentler methods.
Unfortunately, the movie has a sloppy flow that relies too heavily on little clichés. This is a movie about transformed lives, yet the film cuts corners when it comes to the process of transformation. Mathieu decides to start a choir, and we see the first day of practice. From there, the choir's progress is generally detailed with Mathieu's occasional journal entries, and we're to believe that a group of boys go from complete inexperience to Vienna Boys Choir in a matter of two months, which for the film audience is a change from ragamuffins to star attractions in less than 30 minutes. Missing are scenes of Mathieu truly connecting with the kids, watching them light up with newfound musical passion.
类似问题3：求电影“弱点”英文影评两百词以上,只要影评,文采好的给点深度喔,只要影评,其他介绍啊什么的就不用了,[英语科目]
This movie is inspired by a true story about no one from a slum area and then became a professional football player, after he was adopted by a rich good American family.I think blind side is a good mo...